Checking into my blog to say hello to my readers. Above is a tree illustration, once again. This one comes with a story (paraphrased in my own words):
Once upon a time there was a traveler. He was quite weary, hungry and thirsty. He happened upon this beautiful tree. There was a stream flowing by the tree, so he helped himself to a refreshing drink of the water. There were fruits in the tree, so he ate of the fruit. He laid down under the tree and took a nap. When he awoke, he was refreshed and well-rested. Before leaving, he turned to the tree. Tree, oh, tree, how can I bless you? For you have so much already. So he blessed the tree with more of the same.
Source: Taanit 5B-6A
For those that read Hebrew, here is the original Hebrew of what the traveler says to the tree:
אילן אילן במה אברכך, שיהיו פירותיך מתוקין, הרי פירתיך מתוקין, שיהא צילך נאה, הרי צלך נאה. אלא יהי רצון שכל נטיעותיך יהיו כמותך.
Have you ever been grateful to something in nature? Or perhaps grateful to someone in your life who has given you so much?
In a continuation of a banner that will have houses, trees, clouds and some text, I started working on trees. The one above is the one I like best, although I realized that I should get the tree trunk to be straighter if I want to use something similar in my banner. There are many details to construct, and getting everything to work together and not be too busy will be an interesting challenge.
This was my first set of “flat illustration trees.” These trees are made up of triangles and circles. One version of this had a grunge look added at the end (using Photoshop – the shapes where created in Illustrator). If you examine illustrations of flat design, you will often see trees depicted in a similar manner of only these basic shapes.
What makes an illustration “flat design”? How does it differ from other art? It’s missing the shadows. And it’s made up of simple shapes. It’s often vector art, so it can be made bigger or smaller without losing its look, unlike a photograph with pixels.
Both these two illustrations use the same twirly tree trunk. The bends of the tree trunk add a certain look that might go well with a different illustration – I think I will go with a straighter trunk, as the houses are quite straight as well. On the other hand, maybe a twisty trunk would be welcome next to a stiff, geometric house.
Of these illustrations, do you have a favorite? Any parts that you like in particular? Have you noticed flat design on any sites that you visit?
I participate in an online Facebook group called One Watercolor a Day, based on the book by Veronica Lawlor. There are many exercises in the book, and every few weeks I do an exercise and share it in the group. Recently, I’ve been sharing the watercolor exercises on this Sketching Out blog as well. The most recent exercise was Do a Study of Nature, and it was fun to sit outside and paint:
This particular painting is a sage leaves watercolor: I took a look at my sage plant that has come back year after year and did a little painting study. I once tried to plant more sage in the back of my yard, and those sage plants unfortunately died. This sage plant, however, that is close to my kitchen back door, has managed to re-emerge after many a winter. Happy that today was such a nice day, so I had an excuse to sit outside and paint in between cleaning my house for Passover.
I find sketching from nature a great way to learn – you really need to observe to come up with a little watercolor painting quickly. I did two others before I decided to limit my color palette and limit my subject to the sage leaves.
It has been a while since I’ve participated in a Nature Notes, one of my favorite online memes run by my friend Michelle over at Rambling Woods. Here is a cardinal shot I had in my stash but never got a chance to share until now:
Do you cook with sage? Do you have it in your yard? Have you ever painted outside?
Baby dolls, barbie doll, American Girl doll watercolor painting on paper by Leora Wenger, March 2014
This watercolor of baby dolls, a barbie doll and an American Girl doll was painted in response to a One Watercolor a Day challenge to paint some children’s toys. I gathered some of my daughter’s dolls in a basket, sketched a simple drawing, then they sat for a few weeks as Purim came, was a busy, fun time, and went. I finally had the time to do the painting (don’t believe the part about one watercolor a day – once a week is great, once a month feels like how it needs to be right now). It was fun to watercolor baby dolls, but I’m not sure how much time I will have to do more watercolor painting for a while.
Now it is “sandwich time” – a totally made up term by myself, meaning the time between Purim and Pesach (Passover) in which observant Jews get their homes ready for Pesach. I call it sandwich in that not only are we squeezed at this time to figure out how to get ready, we also aim to get rid of anything resembling a sandwich, such as cookies, crackers, cereals, pasta, pretzels and plenty of other other starchy items. You know all those gluten-filled items you own? We probably can’t own them on Pesach. One of the nice features is if we have unopened non-perishable goods, we can donate them to a local food pantry. I even learned I can donate my unopened box of chickenless nuggets to Elijah’s food kitchen in New Brunswick. Not sure if I will make it there for one box, but I love the idea of someone else using the food.
Do you do anything special at this time of year: clean your house, start your garden, get ready for a holiday or prepare for a trip? What were your favorite toys as a child?
Beets, watercolor and ink pen on paper by Leora Wenger, January 2014
Beets and early spring: do you associate the two? In any case, I’ll teach you how to make fermented beets. You only need two food ingredients: a bunch of beets and some salt. We won’t be cooking the beets, although I did find recipes that cooked the beets before fermenting. Cooking might make it easier to digest, but it also might kill off some of the nutrients. And I like the crunch of raw beets. You will also need a sharp knife, a cutting board, a glass jar (a mason jar is fine), a small baby food jar, a piece of thin cloth and a rubber band.
Ingredients
3 or 4 beets
2 tsp. sea salt
water
Wash the beets as best you can and cut off the ends (the part with the leaves and the part that looks like a tail). Cut each beet in half once and slice as thin as you can. Place the beets in a glass jar with a wide top. Add sea salt. Add enough water to cover the beets. Place a small jar on top of the beets to push them down into the brine. The beets need to be submerged in water. Cover the jar with a thin cloth and hold the cloth in place with a rubber band. Wait about two weeks. Fermented beets! In the heat of the summer, you may only have to wait two days instead of two weeks. If you are fermenting for the first time, you should check it every few days to see how the flavor changes. Really, you should do that whenever you ferment, but in reality you might just move on to other things. If you feel your beets are done fermenting, store them in the refrigerator.
You can even drink the liquid – I believe it is called beet kvass. I mix mine with a bit of seltzer.
I worked on this tall house illustration back in December, and I’m presenting it to you today with a little secret. Shh, it’s not quite official and may be going slowly, but this house illustration and the house illustration I posted in late December will be part of a new “mural” painting that will appear on my leoraw.com home page. I came up with the idea about two years ago to redo my home page completely and give it a “Highland Park, NJ” look – to me, that meant the old houses of Highland Park. And some trees. An old-fashioned suburban look perhaps. I started working on the actual “mural” or banner earlier this week – it needs a third house, so that is on the list to be done.
My next step will be either cloud or tree illustrations – which should it be? Clouds or trees, anyone?
Nuts, Raisins and Sunflower Seeds, watercolor and ink pen by Leora Wenger, 2014
I painted this scene of nuts, raisins and sunflowers seeds for the food exercise in One Watercolor a Day. I’m not convinced of the scale I chose – perhaps since I made the nuts as big as I did, the sunflower seeds should be bit bigger? But no point to criticizing one’s own work – here it is for you to view. In the Facebook group for One Watercolor a Day, someone painted a lobster. It was quite a painting – lively and colorful. As I keep kosher, I would not have considered lobster for a food study, but that’s the sort of range one gets with these exercises. I also did a watercolor food study of beets – perhaps I will post that one closer to Pesach (Passover) and tell you how to make fermented beets, one of my favorite foods.
My son bought a new printer, an Epson XP-310 (or I bought it for him). I used the scanner for this painting, and I was quite pleased with the results – no more excess gray. I may buy a standalone scanner so I will have a larger scanner (the Epson XP-310 is quite small). When I do, it most probably will be an Epson.
The next watercolor exercise I plan to try is to paint some toys. I have a doll in mind to add to my still life. What other toys should I add? We still do have plenty of toys in this house, even if my children are no longer little.
Layered landscape scene, watercolor by Leora Wenger 2014
Haven’t had much time to blog – I was working today (on a Sunday!) and helping my daughter with a school project (about Chana Szenesh), and all of a sudden, it was 5 pm. I started preparing dinner, and now that a few things are warming up I decided it would be a nice time to post the above landscape watercolor, one that is an exercise from One Watercolor a Day.
Thank you to Naomi Firestone-Teeter of the Jewish Book Council for hosting the February Jewish Book Carnival and including my review of Rabbi Lau’s book.
Fanciful Fish, watercolor by Leora Wenger 2014
Another day, another watercolor: inspired by the Day #5 exercise in One Watercolor a Day, I drew a fanciful fish using a drawing from a Dover book filled with art nouveau drawings. Then I drew it again on watercolor paper, put on some masking fluid, and painted in some color. All as I fancied – I made up the colors and some of the pattern as I went along.
Here is a detail of the fanciful fish watercolor that I posted last week on Google+:
I decided a good way to use Google+ is when I am having a busy day, but I need a creative break, I quickly post a detail from a painting that I later plan for a whole post on my blog. I also sometimes post photos on Google+.
I am up late writing this post (people who know me well know I am usually an early to bed, early to rise type) because I am waiting for my son to come home from a trip. He went to visit my other son at college. He said he had a great time. He missed the first train he planned to take (a good experience in travel not always going perfectly), and my husband is out now picking him up.
I did a watercolor landscape last week that I based loosely on the photograph at the bottom of this Meron post. I also have lots of photos of robins – they seem to have invaded my neighbor’s backyard (and the gutters of my roof as well). So maybe a post on robins tomorrow – we will see. Thank you for visiting!
Red Admiral Butterfly on a Leaf, watercolor painting by Leora Wenger, 2014
Last year I went in search of birds and I found red admiral butterflies. This year I’ve photographed plenty of birds as I’ve been good about filling the bird feeder, but it has been sparse on butterflies. One of the advantages of art is you can re-create what you like in a watercolor.
This watercolor is inspired by an exercise in the book One Watercolor a Day by Veronica Lawlor in which you are supposed to paint a design, such as a butterfly, using masking fluid. After drawing your design in pencil on watercolor paper, you paint the masking fluid on the white paper first, then let it draw. Once it is draw (takes about fifteen minutes), you can paint on top of it and around it. When your paint dries, you can then carefully peel off the masking fluid (I used an eraser). You will now see the bright white of the paper. That’s the best way to get white in a watercolor painting: let the paper show through. I used masking fluid where you see veins of the leaves, white dots on the butterfly, and also for the orange areas. I painted in the orange after I peeled off the masking fluid.
I may try this exercise again with a different sort of design. Maybe I’ll look one up in a book – a castle might kind of interesting for example, or a dragon. Someone did a simple paintbrush with a variety of colors and got beautiful results. I originally thought of painting a bird, but it didn’t seem to lend itself well to a masking fluid project. I want something with different parts and pieces that can be separated with the white lines I create with the masking fluid.
Thank you to Michelle of Rambling Woods who helped me identify those red admiral butterflies last May. If you want to see what else I’ve been inspired to paint from nature, here is a red cardinal watercolor painting.
On a completely different note than a red admiral butterfly watercolor painting, here is a photograph of my daughter and my husband at the Metropolitan Museum of Art in New York City (I’m posting this so she can use it for a project in school, where the teacher said they can only use photos from Google Images (?!x!?)):
My favorite part of the Metropolitan Museum is the American Wing. If you have been there, what is your favorite part? Do you have a favorite in another art museum?
