art

Relaxing by Raritan River

Relaxing by Raritan River
Relaxing by Raritan River, watercolor on paper, July 2012

This Raritan River watercolor was painted last week; the original photograph was taken in the winter, thus the bare trees. I suggest the end result is a bit sketchy, but I liked it enough to show the watercolor to you, my blogging public. I am considering painting an up-close of the two men sitting on chairs (I am guessing they were fishing before relaxing). For ideas for watercolor inspiration of painted figures, I looked at paintings of Edward Hopper and John Singer Sargent. Edward Hopper’s figures were stiff and not depicted as small as the ones I was working on for this painting. John Singer Sargent, on the other hand, is a master of both figure and of watercolor. I can only hope that by more hard work and practice in watercolor I can come close to achieving some of his great skill in depicting landscape, figures and water scenes.

For those of you that may know our local Central New Jersey landscape, the bridge is the one over Route 1. The scene is at the edge of Donaldson Park in Highland Park.

Portrait of the Artist as an Older Person

portrait of artist as older person
The school art assignment was to draw oneself as an older person. This was my daughter’s execution, which she proudly displayed at her school art show last night.

As for myself, I’m trying once again to take a breath by blogging. I admire Robin’s style, in which she both displays nuns in tan and discusses her plumbing traumas. My events of the week involved two down servers, both effecting sites that I work on, both now back up and running again. Is it the season to upgrade PHP perhaps? In one case I called the help desk; the line declared a fifteen minute wait. I hung up, then called back a few minutes later, thinking, I can wait fifteen minutes to find out what the problem is. The line then declared a one hour wait. I waited until the next day, until it was fixed. But then the other server went down, and that one I had to report about ten times before they fixed all the issues. Such as is the life of a webmaster (webmaven?).

Upcoming News: Blogging Workshop at Highland Park Public Library on June 12th – OK, experienced bloggers, what shall I cover? The public is invited.

I scheduled the next JPiX for June 24th (originally had been the 17th). You can learn more about JPiX and submit your posts here.

Shabbat Favorites with Watercolor

Shabbat watercolor with challot, candles, and kiddush cup
Shabbat watercolor with challot, candles, and kiddush cup; watercolor by Leora Wenger, 2012

Every week traditional Jews around the world celebrate a holiday. As one of my friends said, we prepare Thanksgiving dinner every week! Well, maybe not turkey. In the painting are two challot (plural of challah, the traditional braided bread), two candles (we are not allowed to light new flames on Shabbat, so we light candles before the day begins; I actually light five, one candle for each family member) and 1 kiddush cup (filled with wine or grape juice). The two loaves of bread symbolize the fact that when the Children of Israel were in the desert, they would pick double the bread (actually, it was manna) the day before and rest on Shabbat. Kiddush means “sanctification” – it’s the special prayer said at the beginning of the Friday night and Shabbat lunch meals. We also say a version of kiddush on Jewish holidays like Passover or Sukkot.

I asked a few of my blogger friends to tell me some of their Shabbat favorites. Enjoy the responses!

Laura of Pragmatic Attic:

My favorite zemer is Mizmor L’David.
My favorite things to eat on Shabbos are freshly baked challah and potato kugel (which always tastes best at the shul kiddush).
A favorite pastime on Shabbos is reading, but I also really enjoy spending time with family and friends (without the usual distractions of telephones, television, etc.).
Least favorite part of Shabbos? When it ends of course! (and we have to clean up and go back to the usual routine).

Risa also known as Isramom wrote about her grandfather David and his closed shop on Saturday. In Yiddish: שבת געשלאסען

“In New York there were laws that forbade opening stores on Sunday so in order to keep Shabbat an orthodox Jew had the choice of keeping his store closed two days every week or to open on Sunday and if a policeman passed by pay a fine. My grandfather did a little of both. So what was only a marginally profitable business in the dark days of the Great Depression became even more marginal.”

And in this post From Generation to Generation Risa talks about her mother and shares how she is one of a long chain of women who have lit candles for Shabbat.

Batya talks about how she and her husband eat on Shabbat: lots of vegetables! Her Shabbat every week also has Torah – she regularly attends a women’s class called Shiur Nashim (class for women).

Ilana-Davita enjoys planning her Shabbat menus in advance of the day and reading and napping on Shabbat. Traveling back in time to 2008, she posted Quick Shabbat Dishes with Asian Touch.

Mirj of Miriyummy writes:

Favorite zemer: Dror Yikra, sung in an authentic as possible Yemenite accent.
Favorite Shabbat food: my husband makes these amazing roast potatoes. He parboils them and then roasts them in a hot oven in shmaltz!
Favorite parsha: I love parshat Beshalach because of Shirat Hayam.
Favorite dvar torah: My husband has a dvar torah for parshat Noach where he compares Noach to Avraham and Moshe. I never get bored or tired hearing that one (every year!).
Favorite Shabbat past time: kiddush hopping! Some whisky, some kugel, lots of friends!
Favorite Shabbat blog: my own post: The Story of Noah — Good Friends in High Places — where friends of ours helped us when God and the weather made it uncertain that we would get Shabbat on the table in time.
Favorite Shabbat image: my challot after they come out of the oven.
Mirj miriummy challot
Least favorite part of Shabbat: clearing the table. I don’t mind washing dishes, I just hate the whole clearing up after a good meal. I just want to sit at the table and savor the meal, instead of getting busy clearing everything away.

• • •

If you keep Shabbat/Shabbos, what are your favorites? Songs, food, parsha? Anything else?

Interview with Artist Anna Abramzon

interpretation of Jerusalem with figures and pomegranate, painting by Anna Abramzon
Interpretation of Jerusalem with figures and pomegranate, painting by Anna Abramzon
Anna Abramzon

I “met” the artist Anna Abramzon when she followed me on Twitter recently. I took one look at her Twitter background (good reason to spend time on one’s Twitter background, especially if you are in a design/graphic/visual profession), and I thought, oh, this is lovely line work and color! So I clicked on her website, enjoyed her portfolio, and here she is, agreeing to an interview on my blog.

1) When did you realize you wanted to be an artist?

I don’t really remember a time before wanting to be an artist, it was always just kind of a given. My earliest childhood memories are of turning on my parents’ record player (that’s what we had in the Soviet Union in the 80’s!) and spending every morning listening to records and drawing for hours before the rest of the family woke up. Throughout my childhood my parents really encouraged and fostered my love for art. They saw that this was definitely my calling, so they sent me to classes, found me private tutors and exposed me to amazing artists from a young age. It was a natural progression from that to where I am now. When I was graduating high school I didn’t even apply to regular universities, only art schools, there was no doubt in my mind.

2) How have you used social media (Facebook, blog, Twitter) to promote your art?

I love social media! It has really changed my day to day life in an amazing way. I am totally fascinated by the new dialogues and relationships that social media opens and I am constantly discovering new sources of inspiration online. There are all these new channels open to artists now, it’s such an exciting time. I post new art on my facebook page (facebook.com/AnnaAbramzonStudio) and I share things on twitter (@AAartStudio) and my website (www.AnnaAbramzon.com) all the time. I also occasionally have free art giveaways and special discounts for my FB fans and Twitter followers.

3) When did you start doing Jewish art? Ketubot?

wedding invitation by Anna Abramzon

I was always an artist and a very proud, active Jew, but I had a hard time merging the two identities. As an artist I longed to paint about my passions, including my love for Israel and my Jewish identity, but painting scenes of Tel Aviv or Jews praying at the kotel just didn’t excite me. I struggled a lot with this in art school. While I wanted my art to speak honestly about who I am, I was also wary of becoming cliché or cheesy. After college I moved to Israel where I lived for four years. In Israel I found myself drenched in “Jewishness” every single day. In Israel being a Jew is so easy and inherent that you no longer really have to think about it. Ironically it was this immersion which finally allowed me to gain enough distance and perspective to be able to paint about being Jewish while staying away from overplayed, obvious imagery. It was also there in Israel that I met and married my husband. We had one of those uber intense, passionate love stories that would have made cynical art student Anna gag a few years prior. Naturally I wanted to channel all these new found lovey dovey romantic feelings into art as well. That’s how I got the idea to paint our ketubah, our wedding invitation and pretty much everything else that could possibly be painted for a wedding. After our wedding, other people started asking me to create ketubot for them. I found that people were coming to me specifically because I was not a typical ketubah artist. My work always was and remains quite figurative, which is not what people usually expect from Judaica and I think that was the appeal… that I came from a different background with a different vision, which allows me to create a contemporary, modern twist while maintaining the beauty, colors and and symbolism of traditional of Judaica. Be sure to visit Anna’s new site of ketubot.

4) What is your favorite part of being an artist?

I am never bored.

5) Where do you look for inspiration?

I have so many artists who inspire me! Some of my favorites are: Egon Schiele, Lucian Freud, Francesco Clemente, Goya, and Noshitomo Nara and I am often inspired by my favorite authors as well, I am a huge book nerd.

6) What are the hard parts of being an artist?

It never stops… it’s a job you can’t leave at the studio. Sometimes I’ll be having coffee with a girlfriend and I’ll think “Oh man, if I could just focus on this moment and stop drawing her in my head!!!!”

7) Can you talk a little about Valley of the Ghosts – it seems to be a comic strip about life in the Ukraine for a Jew. Is this autobiographical?

father killed in attack

Valley of the Ghosts is a work in progress… it’s a very long term project that I have been coming back to for a few years now. It’s a graphic novel about a group of new immigrants in Israel. It’s a compilation of stories based on actual people I knew, and it is partly autobiographical as well. The title “Valley of the Ghosts” is a translation of “Emek Refaim” in Hebrew, which is the name of the street I lived on in Jerusalem.

8) You do a variety of artwork, from comics to caricatures to paintings – what is your favorite medium or style?

That’s a hard question… it would definitely be between figure/portrait painting in watercolor and comics. They are just so different… figure paintings and portraits allow me to express emotions really organically, while comics allow me to articulate thoughts in a much more tangent way. It’s really two different languages but there is quite a bit of overlap as well, because it’s two parallel ways of creating a narrative… I think I need to keep mixing things up and developing all my different styles in order to grow as an artist.


Thank you so much, Anna, for this wonderful interview.

 

If you liked this interview, perhaps you will enjoy one of these related posts:

 

Sivivon – Dreidel – Spinning Top

dreidel art
The game of dreidel (yiddish – the Hebrew is sivivon) is associated with Chanukah because when the Assyrian Greeks came to see if the Jews were studying Torah, a practice which was banned, the Jews would take out the spinning top and play that game instead. The four Hebrew letters on the dreidel are Nun, Gimel, Heh and Shin – short for Nes Gadol Hayah Sham (a great miracle happened there). In Israel the dreidel has a Peh instead of the Shin, for Nes Gadol Hayah Po (a great miracle happened here).

There is a game with the dreidel that involves pennies and taking the pot of pennies if you get a gimel, giving it in if you get a shin, half the pot for heh, but it is all luck. My kids just spin them and spin them and spin them. What do you do with your dreidels?

I did the above drawing with black marker, then I colored it in with Photoshop. I promised my daughter she could color in the original with colored pencil. If she does, I will post that version as well.

The Diamond and The Window

Note that this post is not called The Diamond in the Window (book by Jane Langton). It’s a post about Noah, who was considered a righteous man in his generation.
Noah holding a diamond with a sparkle
So here’s the question: was Noah a righteous individual who might have not been so great in a different generation or was a shining light unto all the generations? And why is he looking at this diamond?

Or maybe he’s really looking out the window:
Noah looking through a window

For the answer to these and other tantalizing questions, you will have to visit my friend’s Harry’s post Noach – Is righteousness relative?

The illustrations of Noah with diamond and window were executed by me (with some critical helpful feedback from my daughter) with pen, ink, and then a lot of playing in Photoshop. The aim was whimsical and playful.

Honor the Elderly

etrog watercolor
Etrog, watercolor on paper by Leora Wenger, October 2011

What is beauty? Is it the Doryphorus, as the Greeks believed, the young man with the slender, slightly bent posture? According to Judaism, strangely enough, the elderly are considered beautiful, as it says in Kedoshim 19:32 –

“Rise in the presence of the aged and honor the face of the old man”
מִפְּנֵי שֵׂיבָה תָּקוּם, וְהָדַרְתָּ פְּנֵי זָקֵן

Honor the face of an old man could also be translated as “ascribe beauty to the elderly.” Who has knowledge like an elderly person? Who has overcome so much and come so far?

Note the word used here: hadar. Hadar is also used to describe the etrog. Unlike other fruits, the other “lives” for a long time on the tree and does not fall off on its own. The word in Hebrew is dar, similar to hadar. Does the etrog watercolor remind one of an older person? How?

(Credit for these ideas goes to Rabbi Bassous, for helping me remember parts of his speech to my husband, and for help with locating the pasuk to my middle son).

In honor of my father, my favorite elderly person, and in memory of my aunt, my father’s older sister who died earlier this year and who lived admirably as an older person (she was also an artist). In memory of my dear mother – her yahrzeit is next week. And in memory of Linda Greenberg, who tragically lost her battle with cancer this week and will never experience old age.

Dates – Symbol for Rosh Hashana

dates in front of palm tree, watercolor on paper
dates in front of palm tree, watercolor on paper, 2011 by Leora Wenger

Dates are one of the simanim for Rosh Hashana, the Jewish New Year.

Here’s what one says on the siman (symbol) of the date:

יְהִי רָצוֹן מִלְּפָנֶיךָ יהוה אֱלהֵינוּ וֵאלהֵי אֲבוֹתֵינוּ
שֶׁיִּתַּמּוּ שׂוֹנְאֵינוּ

May it be your will, LORD our God and God of our fathers,
that those who hate us be ended
(yitamu – from tamar, dates in Aramaic)

Would you go on a date with a girl named Tamar? Tamar is the Hebrew word for date, so you can play with words and come up with some funny phrases.

If you are getting ready for Rosh Hashana, you may want to read this post:
Symbols for Sweet New Year – the Simanim to double check if you got everything you need.

Fox in Ruins

Fox in ruins
Fox standing in the ruins… too much color. I copy the layer, desaturate, make it a revealing mask, highlight the fox, select the inverse, and allow all color to come through for the fox but not for the rest of the painting.

fox in grayed background
Now the fox stands out in the grayed background.

The story:

Shortly after the destruction of the second temple, a group of rabbis went to visit Jerusalem or what was left of it after the Roman conquest. When they saw the destruction, they ripped their clothes in mourning. On getting closer, they saw a fox coming out from the site of the holiest part of the Temple. This was too much for the rabbis. They all broke out crying. Rabbi Akiva, however, started to laugh. “Why are you laughing?” they asked, in amazement. He replied: “now that the destruction prophecy of Micha has been fulfilled, we may look forward to the prophecy of Zecharia that Jerusalem and the temple will be rebuilt!”

Mrs. S. adds: ‘The end of the story is that the other rabbis said in response, “Akiva, you have comforted us; Akiva, you have comforted us.”‘ (thank you, Mrs. S.)

If I have time tomorrow, I’m going to put up a post telling the story of Rabbi Akiva and the fox with cartoon bubbles – update: no time this morning and no energy this afternoon – I’ll aim for next summer.

Facade Revision – Spot the Change

changed from previous drawing of rooftops
Can you spot the change from this roof to this new one that I am posting today? And I don’t mean the background color.

I decided I prefer drawing the old-fashioned way – with paper and pencil and paints. But I will probably plod along with this scheme of roofs until I get to the fun part, which will be adding color and texture and variety.

I hope you will come back tomorrow – I plan to post an interview with a relationships coach. Stay tuned.

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